Collection: Jewelry

This necklace is closest in design of all works to #2935.  The primary beads are large mother of pearl and a second group of even larger glass beads. Spacer beads are randomly organized between groups of beads or on either side of individual beads. Overall length approx. 24 inches

For more necklaces in this series, click here.

Because of my education in the visual arts, I have a strong analytical side, and if an artist understands how a picture works visually, they are more able to understand how their work creates the effect that it does, a very useful skill!

This necklace is closest in design of all works to #2933. The primary beads are large mother of pearl and a second group of even larger glass beads. Spacer beads are randomly organized between groups of beads or on either side of individual beads. Overall length approx. 24 inches

For more necklaces in this series, click here.

Because of my education in the visual arts, I have a strong analytical side, and if an artist understands how a picture works visually, they are more able to understand how their work creates the effect that it does, a very useful skill! 

This necklace functions differently than the other examples in the  group. Its beads are not randomly strung, but its segments vary in length, bead size, and how the spacers are used. It has fewer repetitions and, in some places, the spacers are not paired with a larger, more dominant bead. They form segments completely of spacers while In other sections, larger beads work alone. Side by side, they line up with similarly sized beads.

For more necklaces in this series, click here.

Because of my education in the visual arts, I have a strong analytical side, and if an artist understands how a picture works visually, they are more able to understand how their work creates the effect that it does, a very useful skill!

The design of this work leans towards random. Beads are primarily glass and two spacers are almost always used side by side on either side of the major bead. The result is more casual and light-hearted in tone. Overall length approx. 24 inches.

For more necklaces in this series, click here.

Because of my education in the visual arts, I have a strong analytical side, and if an artist understands how a picture works visually, they are more able to understand how their work creates the effect that it does, a very useful skill!

This necklace is very similar to #2835-it too, is composed of segments of beads alternating with smaller spacer beads. interestingly, = the primary beads and the spacers are both quite small. The beads are all round and unfaceted except for a short segment of somewhat larger freshwater pearl beads.

For more necklaces in this series, click here.

Because of my education in the visual arts, I have a strong analytical side, and if an artist understands how a picture works visually, they are more able to understand how their work creates the effect that it does, a very useful skill!

This necklace is unusual in that the spacer beads play a more important role than do the larger beads. Here, they are small pearls and silver tube beads, while the dominant beads are larger blue glass and a dull red faceted glass. The small beads determine the dramatic impact of the necklace's design, because they are always present. Approximate length 28 inches.

For more necklaces in this series, click here.

Because of my education in the visual arts, I have a strong analytical side, and if an artist understands how a picture works visually, they are more able to understand how their work creates the effect that it does, a very useful skill!

This necklace is of another variant of a design with beads strung in segments with small spacers alternating with somewhat larger and more dominant beads. Because the larger beads have more dramatic impact than do the smaller spacers, they make the spacers less important in an analysis of how the necklace design works.

For more necklaces in this series, click here.

Because of my education in the visual arts, I have a strong analytical side, and if an artist understands how a picture works visually, they are more able to understand how their work creates the effect that it does, a very useful skill!